Once upon a time a creature emerged from the deep blue lake and surprised the birds nearby into silence. Gazing at the birds with a sort of recognition, the creature smiled. The birds saw the creature’s giant lips peel back and sharp yellowy teeth glistened in the sunlight. Bobbing down, the birds prepared for flight as the creature moved slowly forward from the middle of the lake, a wake forming behind it. Feathers began to pop up on its head; they were pink with black dots. The creature pursed its lips together and blew. Twinkling notes filled the air and surprised the birds so much that they almost fell from their branches. Intrigued, they relaxed and waited. The creature emerged from the lake massive, pink, scaly, and feathery, whistling her song and laid beneath the tree. The birds flew down, hopped near, and one landed on the creature’s belly, tickling her and making her giggle.
As always, if you’d love to own this image, email me.
In therapy this week I allowed my inner 5 year old child to paint and she painted this abstract piece (and told a gruesome story about a butterfly and an ant). As she painted I realised I never liked making figurative images (except cartoon faces, which I drew loads of when I was a little older). I loved abstract art. I loved looking at the colours and the textures of the paint. I always have.
I feel so excited to share my new style of painting with you! Sunset Teardrop is an amalgamation of my non-verbal responses to childhood trauma and to the awe of sunsets. How strange that these two should come together in one painting. Or perhaps it’s not so strange…
I drew the image above after reading an essay by Jacqui Roach and Petal Felix on the black female gaze. In the essay, Jacqui and Petal* analyse the gaze of three black women – a writer, an actor, and a songwriter. They conclude that the black female gaze is not a unified gaze but made up of different points of view. However, they see one of these points of view as lacking.
I tapped into a teenage part of me whilst painting dots. I was feeling lonely. One of the things I love about painting is the meditative aspect. I can sit and be aware of thoughts, feelings and sensations without the need to act on them because I’ve dedicated myself to the task of painting dots. I first became aware of this choice in relation to thoughts when I painted Constellation in 2009. It was a revelation! I don’t have to act out every thought and impulse!
If you would like to know the price of Square Dots #1contact me. If that statement makes you nervous, there’s no pressure to buy. Do feel free to ask me questions about my work. Read on for insights into my painting process…