A Calm Ending to Victorian Ideals

Last week I shared a post about revisiting my short film Not Punch and Judy… and this week I’d like to share another film I made the same year: Skeletal Sunset (2014). I remember sitting on Brighton beach making this film. It was cold. I was with friends and we were gathered to say goodbye so it was an ending. I’d borrowed camera equipment from university and had it with me so I set up the tripod and sat there, adjusting the light setting every so often.

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Puppets, Power and the Patriarchy

Not Punch and Judy: The Chronicle and Story of an Experiment in Emergent Practice, 2014, 9m 6s

I revisited this film last week, whilst deciding whether to include it in an art award application. It was fascinating to watch the process of the puppets being made, including the undoing of bits that didn’t work. I thought I’d cringe at my reflective narration but actually it feels even more relevant six years on.

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Singularity (2015)

Singularity started as a zombie film but evolved into a movie-graphic novel-essay on alterity – “the quality or state of being radically alien to a particular cultural orientation”¹. During the project, I read loads about transhumanism², which was why my zombies turned out not to be zombies at all.

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