Being Human is Weird and Wonderful

Being Human, 16 x 16 cm, colour pencils on paper

This drawing I made yesterday feels disturbing. It’s kind of insect-like, yet has an ‘as above, so below’ feel to it. But the grey half is different to the colourful half. It’s like the colour has sucked itself out to exist for a while as colour and will eventually return. The colour is dancing, going, “I am here!” It is attached to the grey thing, is still part of it, but has, briefly, taken another form. It feels separate but isn’t. I think it’s about being human.

What do you think?

If you’d like to own this artwork,   email me.

You’re Not Good Enough to Do Art Said Mr Yates

Seminal, Colour pencils on paper, A5

You’re not good enough to do art at ‘O’ level.

Mr Yates, art teacher at Walton Girls’ High School, 1983

I’ve often wondered why I accepted Mr Yates’ statement as Truth when I was thirteen. I immediately stopped drawing and began a journal instead. I had a flash of insight yesterday whilst washing my hair (of all things): he’d stated I wasn’t good enough at identity level. “You’re not good enough.” It was like a magic spell. I believed him. I stopped.

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Less is More Than the Sum of Our Parts

More Than The Sum of Our Parts, Pigment pen on paper, 15 x 15 cm

This drawing began as a mindfulness exercise to soothe me after stretching my comfort zone. I like the feel of the paper and the sound of the pen making dots. As I look at it I realise it’s a reflection of all the things I’ve been thinking about lately – spirituality, resonance, parts therapy, to name a few. More Than The Sum of Our Parts is for sale. If you’re interested in it or any other art I have for sale,  email me.

Turning Over A New Leaf

Turning Over A New Leaf, Pigment pen on paper, 16 x 16 cm

This is my latest pigment pen drawing, Turning Over A New Leaf, which is for sale – email me if you’d like more information. My research into the phrase, “turning over a new leaf,” highlighted the assumption that often accompanies the intention to turn over a new leaf. Here’s a definition from Collins:

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Feeling Small in Awe and Vulnerability

Sunset Teardrop, Acrylic on unprimed canvas, 60 x 80 cm

I feel so excited to share my new style of painting with you! Sunset Teardrop is an amalgamation of my non-verbal responses to childhood trauma and to the awe of sunsets. How strange that these two should come together in one painting. Or perhaps it’s not so strange…

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Artists Responding With Love

Breakthrough, Acrylic, chalk pastel and ink on watercolour paper, 14.8 x 10.5 cm

This postcard is my response to the affect of Covid and Black Lives Matter on me. The collective trauma of Covid-19 sparked memories of personal childhood trauma, which I was able to hold and work through. When the Black Lives Matter movement swelled, I connected with it as a feminist. All of this broke my heart open, making space for a spiritual breakthrough.

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Emotional Flashbacks Don’t Have to be Destabilising

Mauve Daisies 2020, photograph

I had an emotional flashback on Monday. I had a deadline for an expression of interest for an art project yesterday. I feel wiped out today. An emotional flashback results in my body going into shock. There are no visual memories, which is why I sometimes find it confusing to understand – seeing is believing, right? It is purely a bodily reaction to a past trauma. My extremities go very pale and I shiver. It’s when I start shivering that I think, ‘wait, what’s going on?’ 

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Square Dots #1: sexism and dinero

Square Dots #1
Acrylic on canvas
12 x 12 in
POA

If you would like to know the price of Square Dots #1 contact meIf that statement makes you nervous, there’s no pressure to buy. Do feel free to ask me questions about my work. Read on for insights into my painting process…

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Square Dots #1

Square Dots #1 (2020)
Acrylic on canvas
12 x 12 in
POA

If you would like to know the price of Square Dots #1, contact me. If that statement makes you nervous, there’s no pressure to buy. Do feel free to ask me questions about my work.

Continue reading “Square Dots #1”