Feel! Feelings get trapped if we don’t feel them

Not everyone can name feelings. Some people think about feelings rather than feel the sensations of them in their bodies. Maybe they haven’t been shown how to feel or they’re scared of feeling something unpleasant.

When we don’t feel, the feelings get trapped, grow bigger, become belief systems or ‘parts’ of the self, and they make people do crazy shit to avoid feeling.

They are a sort of protection that used to work well but now they hinder growth and promote stuckness. They keep people in the known for fear of the unknown of the transformed self.

It is natural to have this fear. It is a fear that arises before any process of transformation – therapy, initiation, art, relationships…

How to feel when society is built on rational thinking, rather than feeling, intuition and instinct? Here are some tiny steps:

  1. Create space. Could be on waking or going to sleep. Laying in bed and paying attention to your body – what sensations are there?
  2. With curiosity, what is the quality of the sensation? Is there a word or image associated with it?
  3. Keep paying attention to the sensation. Does it move as you notice it? Say hello to it. Welcome it, if you can.
  4. Thank it for making it self known.

That’s it. You don’t have to have a story attached to a feeling. You can allow it to just be there. You can practise this for a minute or an hour – however long you like. It might seem weird if you’re not used to it but it could, in time, open up a world of delight.

Let me know how you get on, if you’d like to.

Much love,

Julia.

The Sun is the psychological empire of the Soul

An astrological art project…

Double spread of poem (left page) and images of 2 suns (right page) in open hardback book
Sun Spread (2026)
Poem and image drawn over printed book pages
Julia Fry

I bought a book from a charity shop. It’s old and has a red hardback cover. On the spine is written, “The Way to Play”.

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Gratitude: what’s the point?

In a dark place once, I felt utterly depressed; could not think of one thing I was grateful for. Not one. I hated where I was living in my sixth floor council flat, where I’d taken up the tiles leaving a bare, concrete floor in the lounge. It felt cold, looked freezing, like the night sky. I had no spiritual practice. I had isolated myself. I wasn’t working. I was on government ‘benefits’. I felt unable to work and bad for not working. Wretched is the word for it.

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Othering Me, Othering You

Image shows strands of finger knitted wool of differing lengths arranged in a circle with the ends at the centre in a spiral. The wool is multi-coloured.
Othering Me, Othering You, 2023, Wool

I created this piece using wool. The wool came from a cardigan I made where I found the seams to be too irritating so I unpicked it. I am very sensitive to seams and labels in clothing. I was left with lots of small balls of wool in varying sizes and I followed an intuitive prod to finger knit each ball into a long strand. This took a few months and during this time I was working on my dissertation for my creative psychotherapy master’s, which was a heuristic inquiry into the experience of othering people different from me.

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Othering Me, Othering You Is This The Best We Can Do?

I completed my MSc Counselling and Psychotherapy – Contemporary Creative Approaches in August 2023 with a research project called Othering Me, Othering You – My Living Experience of Internalised Patriarchy. I’m going to share the following sections from my dissertation in this post: definition of terms, introduction, and conclusion. If you’d like me to send you the dissertation or have a conversation about setting up creative workshops to uncover hidden biases with compassion, please email me.

image shows a wall with 2 canvas paintings and 8 pieces of paper with drawings on them: a heart with 2 people inside, a person with their head inside a cloud with the word "worry" in it and the word "othering" written on the paper, a large multi coloured heart, two spirals - red and blue, a series of black circles, a pink triangle, a red circle with black spikes surrounding it with yellow outside of the black and green in the corners of the image, a diagram with colour coded lines leading to bits of paper, a collage with the words "would I have known where to start without this?" written on.

Some of my creative outputs from my research that I analysed for themes

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Artists Responding With Love

Breakthrough, Acrylic, chalk pastel and ink on watercolour paper, 14.8 x 10.5 cm
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